Lewis Carrol (Through the Looking Glass)
I love the words ‘Recreational Vehicle’, they’re so splendidly meaningless, rather like the American use of the word ‘camping’. When I say ‘camping’ I know what it means. It involves tents, sleeping bags and hammering spikes into rock solid ground in a howling gale that is trying very hard to tear the canvas from my freezing hands. In short it may be fun but it’s quite uncomfortable fun. When an American says ‘camping’ there’s a good chance that it involves none of these things and it certainly won’t be uncomfortable. What it usually involves is a Recreational Vehicle, an RV as the Americans habitually abbreviate it. The first time I ever camped in the United States I had just finished erecting my seven foot by five foot canvas home when a dozen yards away one of these monsters arrived and parked in a clearly signposted ‘full hook-up’ site. By American standards it was a rather modest vehicle being scarcely larger than the back garden of my semi back in
Now, in
It’s a common enough sight on the highway to see one of these mobile fortresses towing a car - usually an enormous four wheel drive - in a reversal of the English taking the caravan to the seaside scenario. This extra mobility is because the RVs themselves are often too large to be practical in the parks and something on a slightly more modest scale is called for.
Most of the National Parks, be they in
We started this time at the Minerva Terrace, where I had finished before. In the new weather conditions it was almost incandescently bright. The stepped layers of white rock with their network of walkways reflects the light so fiercely that it is difficult to look at and when you climb to the top the views out across the park barely hint at the wonders that it contains. It’s a much better place to start than the mud volcano had been with its stench of sulphur - an experience which we would not be repeating today. On we went to the Upper and Lower Geyser basins which had now taken on a new colouring and iridescence that had been entirely absent on my previous visit. Then it was over to
A good base for exploring some of the relatively less famous National Parks is
The first of the National Parks we were visiting was Arches. This is fascinating and bizarre place where the geophysical forces have created a startlingly alien landscape of giant stone arches, precariously and improbably balanced rocks and mile long narrow fins of sandstone which sit within and overlook the vast open plains of the Colorado Plateau. The whole area sits on top of subterranean deposits of salt which can be thousands of feet thick and it is the shifting and compacting of this salt that has led to the collapses that have formed the arches. While it is possible to see some of it from the road, Arches really is a park where the only way to experience the true scale and timeless wonder of it is on foot. Even a relatively modest walk of a few hundred yards will bring a glimpse of the Landscape Arch which is a thin narrow bridge of rock that looks as if it is impossible that it should support its own weight. Further out along one of the side trails are the smaller, sturdier looking Partition and Navajo Arches but the real gems are to be found half an hour or so along the main trail. A walk along the ridge of one of the mighty sandstone fins eventually leads out to the arch within an arch of Double-O. The trail was remarkably busy, at times almost crowded, but the destination rewards it.
A second drive-through viewpoint - to see the Delicate Arch - is from the road especially unimpressive. The arch in question is far enough away to require binoculars and even then is not one of the better ones and the view from the road is extraordinarily uninteresting. Five minutes along the trail following the signs for the North and South Windows it’s a different matter. Here geology and erosion have produced two enormous arches, more like tunnels in the rock which sit on the landscape like a giant pair of goggles half buried in the sand. The walk around them is flat, easy and fascinating but still there are people who see it all from the wound down windows of their cars.
Less than twenty miles from Arches, still on the Colorado Plateau is Canyonlands but it might as well be on another planet. Here instead of towering bridges of stone the forces of nature have formed a fractured and fragmented world where sweeping canyons run for miles in every direction and divide the world into a labyrinth of monolithic buttes and spires as if some inconceivable hammer blow has shattered the world. In reality no sudden cataclysm is responsible. The canyons were made by millennia of rivers gradually cutting down through the rock to form the crazy paving world that is there today.
It seemed that the further we travelled the deeper we got into the kind of country you see in westerns. A landscape where you expect to see circled wagon trains and whooping Indians loosing flaming arrows onto the canvas, or perhaps a lone rider, covered in trail dust picking his way slowly along a trail under the unforgiving heat of the noon sun. The place where many of these images come from is
Time constraints meant that in spite of everything I’ve said we had to drive around it rather than hiking but I’ve been hiking there before and, although it obviously isn’t the same, it is at least an area of such vast splendour that it is possible to see it from the viewpoints. The landscape is eerily familiar - films from Stagecoach to Back to the Future III have been filmed here. John Ford made so many westerns here that there is even a feature, John Ford Point, named after him. Other features have less prosaic names, usually for some imagined resemblance, Elephant Butte, the Praying Hands, the Sun’s Eye, the King on His Throne - names which say more about the hallucinogenic effects of peyote than they do about the rock formations.
There is a campsite and visitors centre on the very edge looking out into the desert and from there the most spectacular things of all can be seen, the sunset and the sunrise. Of the two, from this point I prefer the sunset. As the shadows lengthen and the desert disappears beneath them the sky at first takes on a slight orange glow which soon deepens into a blood red. When at last the sun dips below the horizon, the land becomes a maze of black silhouettes while the sky shades through black and dark inky blue on the horizon to a lighter blue at the highest point of nights dome. Any clouds drifting by are painted in red and gold and the whole scene is simply glorious.
I love sunset in the desert.
Sadly we were running out of time. I would have liked to spend time exploring properly in two more parks. 
From the rim of the canyon the Hoodoos stretch away from you in a confusing jumble of ridges and valleys and jagged spikes but down on the canyon floor they are even stranger. The paths that wind and twist throughout them sometimes end unexpectedly in dead ends or else twist back around on themselves in an Escher-like confusion of direction to bring you back onto a path you thought you had passed half a mile ago. Every yard of every path brings a new wonder whether it is a set of standing stones that look like a frozen orchestra (well a bit like one ) or a barren blasted rock overlaid with multicoloured striations of minerals. Our few hours there reminded me of why I like the National Parks and why of all of them I like Bryce best, but all to soon we were off again, travelling fast to stay on schedule. We blitzed through






